Konstantin Gropper explains: “These EPs are projects I’ve been meaning to do for quite a long time, but neither “concept” would have been suitable for an entire album, nor would they actually all add up to a coherent album, plus I do love these smaller formats. What’s more beautiful then three nice little 10inches with gorgeous black and white artwork all by the same artist (in this case, celebrated german painter Hermann Schenkel) he asks. And continues: “With the LUFTHANSA HEIST EP, I don’t exactly remember what prompted it. Whether it was a much too early midlife-crisis, a second wave of puberty, or simply a rush of nostalgia, something led me to the question: why did I start this in the first place? Inevitably I ended up at the place, or rather, the music that inspired me to pick up the guitar in the first place. I think it was called “College Rock” back then, and it sounded like Buffalo Tom or Lemonheads or Pavement.” (Editor’s note: Gropper is obviously way too young to have been around when the first wave of college rockers and slackers hit the scene, so how in hell he managed to record these songs, these crashing guitars and euphoric chords like this, is beyond us).